Are streaming music services good for fans, but bad for music artists?
Yorke’s solo album, The Eraser has also been pulled from Spotify. Centered around the criticism is Spotify’s model and it being geared to pay artists based on the overall share of streaming taking place. It stands to reason that established artists and record labels make more from that.
Godrich tweeted, “Streaming suits catalogue…but cannot work as a way of supporting new artists (sic) work.” He also noted that others are too afraid to speak up out of fear of losing what is perceived to be valuable exposure. Yorke said, “Make no mistake new artists you discover on #Spotify will no (sic) get paid.”
Spotify released the following statement in response:
While the statement does not actually address the issue levied against it, there is another angle to remember when it comes to Spotify, and other music streaming services, may be having a positive impact on music piracy. Moreover, we are sure that not every artist feels this way. While that is good for the record labels, if the streaming models turn out to short change the song writers, this discussion will certain take an interesting turn.
Just recently with Apple’s run up to introduce iTunes Radio, the company that arguably single-handedly changed the nature of the music industry was having some difficult times negotiating license fees with the labels. Given the size of those players it is easy to see how small labels or up-and-coming artists feel the pressure to “play ball” at the expense of being able to make a living.
Sources: Thom Yorke (Twitter), Nigel Godrich (Twitter) via PCMag.com and Venture Village